PRISON
PUMP

World Broadcast Premier
September 28, 2018
CBC DOCS POV

 
 

Synopsis

A life of crime can exert a powerful hold on someone who is trying to leave that life behind. Jose Alejandro Vivar knows this only too well—and has the scars to prove it.

Arrested as a teenage drug kingpin, Vivar earned parole after serving several years and began a new life as a fitness entrepreneur. But his ambitious plans were almost erased when a hitman fired five bullets into him during an early-morning exercise class he was leading in a downtown park.

In Prison Pump, we witness Vivar’s determination not only to survive this setback but to thrive and finally become a role model to the sons he thought he’d never see again.

Prison Pump tracks the development of 25/7—the fitness program Vivar developed in prison—which is now saving lives by promoting healthy living and helping ex-convicts struggling to re-enter society.

Vivar entered the gangster life as a young teen and quickly rose through the ranks. In 2002, he was charged with the murder of a rival gang’s leader, and was acquitted. A 2007 Toronto police sting operation targeting Vivar caught him in possession of weapons, ammunition, large quantities of illegal drugs, and $130,000 cash.

Prison Pump shows Vivar’s metamorphosis from an out-of-shape convict to a hard-body guru and aspiring motivational speaker. We get an intimate glimpse into his once-secret life in Northern Ontario, where he spins off the 25/7 program to local success—but always looking over his shoulder.

 
Storyline Entertainment - Ed Barreveld_e

ED BARREVELD

producer

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SHASHA NAKHAI

associate producer

GARY LANG

writer/director

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ROB RUZIC

editor

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KATIE MURRAY

production + post production coordinator

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DANIEL PELLERIN

sound design and re-recording / mix supervisor

KEN MYHR

original music

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ERIN CHISHOLM

archive research

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CREDITS

writer/director

Gary Lang

 

producer

Ed Barreveld

 

associate producer

Shasha Nakhai

 

editor

Rob Ruzic

 

director of photography

Ryan Mariotti

Patrick McGowan

Derek Rogers

Andrew Sheppard

Rich Williamson

 

original music

Ken Myhr

 

production coordinator

Katie Murray

 

sound design and re-recording / mix supervisor

Daniel Pellerin

 

online facility

Urban Post

 

colourist & packaging editor

Andrew Mandziuk

 

online conform

Rouben Boudagian

 

assistant editor

Caitlin Durlak

 

post production supervisor

Shasha Nakhai

 

post production coordinator

Katie Murray

 

researcher

Vanessa Hill

 

visual research

Erin Chisholm

 

drone photography

Ryan Mariotti

 

 

production assistant

Derek Daniher

 

dialogue and effects editor

Elma Bello

 

re-re‎cording mixer

Bret Killoran

 

conform editor

Jeremy Fong

 

pre-mix studio

Studio Soleil

 

mixing studio

Redlab / Premium Sound

 

sketch artist

Oliver Heinrich

Ayan Sengupta

 

still photography

Claire Harvie

 

archival footage

 

25/7 Fitness

Bell Media Inc.

CBC Archive Sales

Clara and Jose Vivar

Footage courtesy of Rogers Media Inc.

Jose Alejandro Vivar

KAHR Firearms Group

Marianne Boucher

MDF Productions

The Globe and Mail

Toastmasters International

 

publicity

Ingrid Hamilton

 

production bookkeeper

Michele Williams

 

production auditor

Jimmy Ye

 

legal

Stohn Hay Cafazzo Dembroski Richmond LLP

 

production insurance

Eve Needra/Steve Beatty

 

special thanks

Laura Beeston

 

thanks

Hazel Barreveld

Calvin Barry

Keira Ferguson

Martin Franso

Suzanne Frey

Justine Fung

Peter Gentile

Monica Gupta

Ceejai Julian

Judy Kristen

Lulu

Anne Martin

Lukas Matiuszka

Madison Mulvaney

Jennifer Punter

Doug Quan

Amanda Robichaud

Miguel Salguero

Courtney Sallows

John Struthers

Clara Vivar

Jose Vivar Sr.

 

All Nations Church

Dave & Buster’s

Donovan’s Bargain Corner

Frübar Juicery

The Man Cave Barber Shop

Toastmasters International

Vancouver Community Health Services – Intensive Case Management Team

 

 

 

For the CBC

general manager, programming

Sally Catto


executive director, unscripted content

Jennifer Dettman

 

senior director, documentary

Sandra Kleinfeld

 

director of production, unscripted content

Alexandra Lane


executive in charge of production

Charlotte Engel

 

 

 

 

 


 

 

 

 

 

Produced by 2271120 Ontario Inc. for Storyline Entertainment

 

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Distribution or questions,

contact Storyline Entertainment

info@storylineentertainment.com

 

DIRECTOR’S STATEMENT

Gary Lang, Summer 2018

 

I have written, directed, or produced dozens of true crime documentaries for over fifteen years.  Countless prison visits, meetings with lawyers, interviews with detectives, and coffee with families have taught me just one thing: behind every one of these gripping narratives, there is so much suffering, so many victims.  The crime genre has never been more popular, with all its delicious twists and turns – and yet, at the core, these stories are about the tremendous pain and loss that changes lives forever.  Jose Vivar is a man who is draped in that deep suffering.  What makes his story different is that he is determined to escape his anguish and find redemption. 

 

Before I met Jose Vivar, he did not have my sympathy.  He was a gang leader, a drug lord, a man whose life had been defined by violence.  He dealt cocaine to kids in my neighborhood.  He carried a gun from the age of thirteen.  Jose knows he cannot change his past. But he’s also haunted by the loss he’s suffered as a direct result of his choice to become a ruthless gang leader.  His eight years in prison meant that missed seeing his children grow up.  He not only destroyed his parents’ trust, he put their lives in danger from the men who want him dead. And the friends he honoured above all others ratted him out and turned police informants.  He’s now thirty six and desperately trying to turn his life around but he knows the path to redemption is not easy.

 

Jose Vivar’s story is not just one of redemption.  It is also a window into a world right in front of us that we cannot see – the world of organized crime in Canada.  My sons and I play in Christie Pits park.  We toboggan there in winter and play ball there in summer.  They have a word for the area: “sketchy”.  To them, the word means that something doesn’t feel quite right.  Sure, Jose Vivar went to jail and the LA Boys disbanded, but the gangland drug business continues to thrive in the area – indeed, throughout Toronto.  Access to that obscure and treacherous world drove my desire to make this documentary.  Jose was a highly-placed figure in the world of organized crime, and I was fascinated by what secrets might reveal from his unique perspective, and in his highly articulate, fearless voice. 

This film intersects with Jose’s life at a critical moment.  He is determined to safely return to the world as a free man and turn Prison Pump into a national business.  But by doing so, he puts himself and those he loves at risk.   

PRODUCER NOTES

 

Every city has to deal with crime but I remember thinking “this doesn’t happen in our city” when I read Laura Beeston’s July 2016 article in the Toronto Star about an assassin who pumped 5 bullets in Jose Vivar as he was leading a busy exercise class in downtown Toronto’s Christie Pits Park on an early Saturday morning.  We frequently hear of shootings in the city, especially this year, but this was a family affair in a busy community park. Broad day light, in the heart of the city, kids, moms, dads.  I could have been there with my family.

 

The story stuck with me and when I read an update a few months later I called Ms. Beeston.  After our chat I asked if she could put me in touch with Jose and 10 minutes later he was on the phone. Director  Gary Lang had worked on a number of crime related documentaries and I knew that he would be able to establish a rapport with Jose. 

 

We agreed that we, Gary and I, would meet Jose at his then undisclosed location.  As luck would have it, DOP Andrew Sheppard was in the same town and Jose’s parents happened to be visiting him.  Over two days we interviewed Jose and his parents and cut a trailer which we sent to Charlotte Engel at the CBC. Charlotte supported further development of the film and subsequently greenlit what is now Prison Pump.

 

We had certain ambitions to tell the story but had to simplify things after Toronto Police Services and Corrections Services Canada declined to participate in the film.  There was a lot going on in Jose’s life anyway.  He was building up his strength after the assassination attempt, start a new life in a new city, trying to set up a gym in Toronto – with dreams of expansion - reconnect with his parents and two young sons, test new relationships, and prepare to become a motivational speaker.

 

At first I was apprehensive working with Jose.  He had been a very bad dude but as I got to know him, and like him, I really felt for him.  There were ripple effects; there was a permanent strain on his relationship with his parents. His relationship with the mother of his children was fractured.  He saw his boys grow up through photographs, his once luxurious life style was now reduced to the basics.  I could see the regret and his struggle trying to catch up on the 8 ½ years of his life that was lost.  But I was impressed by his drive to make things right again, his vision to bring fitness to the people and help young people avoid the path he took.  Jose still has a long way to go but as lawyer John Struthers says in the film “Jose was a natural leader”. He is now applying those skills to build his new life.

 

Ed Barreveld

August 2018